Theme

(Source: indistantdays, via truneet)

thebelltsar:

Marianne Kolb

thebelltsar:

Marianne Kolb

(via waisenkind)

Improv with FoirmFada in a fucking forest, good day.

Improv with FoirmFada in a fucking forest, good day.

Short example of an upcoming rhythmic/beat orientated noise EP that i’ll be posting on here soon.

Ras G - Raw Fruit | Stones Throw Records

Ordered this tape after the dublab listening radio stream. LA is where it’s at

experimedia:

The Haxan CloakExcavationTri Angle
When a noose adorns an album’s cover, you pretty much know what you’re in for.  The Haxan Cloak validates that with a bleak and pervasive intensity that coats every sonic inch of “Excavation.”  The mood may be oppressive, but Bobby Krlic’s considerable compositional prowess as The Haxan Cloak is rich and imaginative and he uses a host of instruments ranging from stately classical strings to industrial-leaning extreme electronics.  How he combines these two disparate entities is key as he often takes the warmth and natural resonance of an acoustic instrument and digitally embellishes it to reach his artistic needs.  ”Miste” is a perfect example, as the funereal grind of a cello is pulled to even deeper timbres with electronic pitchshifting and paired with a desperate, digitally manipulated vocal that longs to be heard.  Krlic wrings emotion out of circuits, strings, keys, and mouse-clicks alike, crafting a towering album that will be difficult to outdo. – Ryan Potts, Experimedia

experimedia:

The Haxan Cloak
Excavation
Tri Angle

When a noose adorns an album’s cover, you pretty much know what you’re in for.  The Haxan Cloak validates that with a bleak and pervasive intensity that coats every sonic inch of “Excavation.”  The mood may be oppressive, but Bobby Krlic’s considerable compositional prowess as The Haxan Cloak is rich and imaginative and he uses a host of instruments ranging from stately classical strings to industrial-leaning extreme electronics.  How he combines these two disparate entities is key as he often takes the warmth and natural resonance of an acoustic instrument and digitally embellishes it to reach his artistic needs.  ”Miste” is a perfect example, as the funereal grind of a cello is pulled to even deeper timbres with electronic pitchshifting and paired with a desperate, digitally manipulated vocal that longs to be heard.  Krlic wrings emotion out of circuits, strings, keys, and mouse-clicks alike, crafting a towering album that will be difficult to outdo. – Ryan Potts, Experimedia

The Haxan Cloak - ‘Consumed’ - Excavation


Just got this LP, fuck, so into this.

Stolan Ephens: Debut Exhibition of Needles(s).

olanolanolan:

Very happy to announce that I’ll be exhibiting my first public piece of art this Wednesday the 1st May 2013 in one of my favourite art spaces, Belfast’s P.S. Squared. Many a time I’ve been intrigued enough by what I’ve seen through their street-facing window to enter and experience some very…

http://www.sonorities.org.uk/